Wild
Flowers gone wild... I was testing how watercolor paper would work with my ink painting. Unfortunately ink always looks quite dull on it when compared to 'rice paper', which shows magnificent shades and nuances. But the problem with rice paper is that painting gets crinkled and needs to be mounted on a stiffer backing paper, which is a very difficult process. Currently I am sending my work to China to be mounted but that is time consuming. There must be soneone in London who has mastered the traditional Asian wet mounting technique?
Excellent!, Sasa. Your brush strokes are very successful. I love it when, in a painting there are no lines that draw the outline(or a little). Then the image is formed in my brain. This is one case. (I do not know why this reminds me of Van Gogh) I wish you a beautiful week!!!!!!!!
ReplyDeleteJust a detail, but it's enough to travel over the continents...:)
ReplyDeleteTrès beau travail. J'aime la liberté d'expression qui est la tienne. En l'occurrence, c'est une vraie invitation au voyage vers l'Orient que tu nous invites ici, avec beaucoup de grâce.
ReplyDeleteBelle semaine à toi, chère Sasa.
Je t'embrasse.
Roger
Hi Sasa, I admire your use of the brush! I see dry strokes and also watery splashes. The pagode reminds me of a merry go round and that gives a feeling of nostalgia, so perhaps the homesick feeling really slipped in this painting.
ReplyDeleteI really like your new decorative designs! it's so beautiful so much and good idea on site.
ReplyDeleteหนังออนไลน์